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To join the clan, our hero must pass a series of three tests, the last of which could kill him, and “Snake Eyes” makes them surprising enough to enthrall us.
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She neither likes nor approves of him, but there’s a hostile erotic spark between them that’s all the more enticing for not being consummated. That gives the tension between Snake Eyes and Akiko (Haruka Abe), the clan’s security expert, in her medieval bangs, a delectable snap. They don’t trust anyone who isn’t family. He wants to bring Snake Eyes into the fold - but the other clan members are a little “Godfather”-ish about it. Tommy is the heir apparent to the Arashikage clan, who reside in an elegant fortress compound on the outskirts of Tokyo. He gets taken under Tommy’s wing, and Golding is such a good actor that he makes us believe in the depth of this bond.īut it’s actually a one-way brotherhood. Amid the cutthroat fireworks of the ninja attack that follows, he saves the life of Tommy (Andrew Koji), a fighter with a lean, malevolent smolder. That’s the one thing Snake Eyes cares about. That is, until he learns what’s being promised in the bargain: that Kenta will find his father’s killer. So when Kenta (Takehiro Hira), a Yakuza ringleader with close-cropped hair and an imperious sneer that may remind you of James Spader’s Red on “The Blacklist,” tries to hire him after a fight, he’s not interested. When we meet our hero as an adult, he’s a cage fighter, beholden to nothing but his own preservation. An assassin, infiltrating a safe house, asked the father to roll a pair of dice it came up snake eyes, which meant his number was up.
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Golding’s Snake Eyes got his nickname from the way his father died. “Snake Eyes” makes it clear that he’s got the beauty, the cool, the glamour, the danger, the magnetism, and that essential Bond quality - the ability to telegraph the most lethal thoughts to an audience without saying a word. For a kids’ franchise movie, it’s pretty good, but the main headline is this: Henry Golding has to be seriously considered for the role of James Bond. The fight scenes are staged with a slashing precision, and the whole movie, as shot by the cinematographer Bojan Bazelli, has an enveloping night-bloom look to it.
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The movie is also a synthetic but exuberantly skillful big-studio hodgepodge of ninja films, wuxia films, Yakuza films, and international revenge films. Admittedly, there are a lot of repeats in terms of the actual characters- but if you're going to find it annoying to see four different versions of Scarlett and seven different versions of Baroness, then this list was never meant for you, anyway.“Snake Eyes,” as directed by Robert Schwentke (“The Divergent Series: Insurgent”), has style and verve, with a diabolical family plot that creates a reasonable quota of actual drama. Joe franchise has to offer, featuring a mix of official and fan-created art, cosplay, and actresses portraying Joe women in the live-action movies. No, it doesn't.īelow is a list of the best female eye candy that the G.I. It's kind of hilarious to imagine that as an actual thing that would be listed in a soldier's official records, and it acts as a reminder of less enlightened gender politics of a time not quite forgotten.īut does any of that matter when the result is some of the most stunning fictional females ever created? For the purposes of a gratuitous list: no. The day jobs or hobbies of female Joe characters are of the expected variety- models, dancers, librarians, and so on, and their non-combat expertise often includes ridiculous things like having the power of seduction. Joe are often one-dimensional and exist to fill some specific type of male fantasy.
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As it goes with the majority of fictional universes that are mostly comprised of men with only a small percentage of women- and are created by mostly men- the girls of G.I.